Tuesday, July 13, 2004

Intertribal Deaf Conference

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I'm working on a story for Women's Focus, National Native News and WINGS about this conference.

I interviewed the President of the organization. I have about fifteen minutes' worth of audio from her.

I'd also like to interview an ALS interpreter student, from the Navajo Nation, about her experiences, studies and interests.

Looks to be a good conference, too!

http://www.deafnative.com/

Monday, July 12, 2004

Edit's done

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I get paid by the client on Friday. He was very happy with my work! SO WAS I! I'm a real nit picker, especially with someone else's stuff.

A reporter came by today. She's working on a big piece, for print, and is considering a column, as well. She wants to hire me to transcribe her sound files. She wants me to share a "byline" for a monthly column she's pitching.

She sent me her "stuff," unfinished copy, today for editing and review. I wrote back and told her, this is a damn BOOK! The subject's urgently topical, and very marketable to the Amy Goodman/Charlie Rose crowd! MERCY, she's unearthed some heavy stuff! WOW!

I'm also committing more energy to Radio Theatre at KUNMfm. I volunteered to webster the web site, for one thing. For another, I'm committing to learning radio theatre script writing. I have several ideas for shows.

I've been asked to look over the upcoming episodes of This American Life, to write some copy for one...I can actually address about eight, and am interested in four...to "shove a mic in your face and let you riff." Apparantly, I'm "a good storyteller."

Now, remember: a year ago, I was pushing a cart, through the alleys of Albuquerque, wearing clothes and eating food from the dumpsters!

I'm still wearing the clothes, of course!

Actually, despite all this professional recognition, I don't have enough money to pay next month's rent.

I'm terrified. No WAY I can sell/get paid for enough radio to make the rent by the 3rd of August. Sigh.

It's my bank; they've changed their predatory lending policies...again...and are forcing me not to borrow on the direct deposit of my next Disability check.

My income next month: three hundred. Rent: four twenty-five. Internet: twelve. Phone: twenty five.

So, you see my problem.

I need help.

But I'm ashamed to borrow from my new friends! I'm agonizing over it.

August is my birthday. I may just friggin' pass the hat. I don't know...

This American Life, National Public Radio, National Native News, Free Speech Radio Network, Women's International News Gathering, Public Radio Weekend: and I could STILL end up homeless, just in time for my birthday!

GAWD!

Monday, July 05, 2004

old broadcasts

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I've been digging in my old tapes.

Mercy! I've found all my old broadcasts on KAZUfm! AND KCRWfm AND KUSPfm!

Well, who knew?

I also found a concert in which I sang a song I wrote: the one and only time I ever did so. Afterward, the audience sang "Happy Birthday" to me, as the concert was 2 days before my birthday. That tape's broken. I'm going to BEG for production assistance, to repair it and to record it WELL onto a CD.

I'm listening to my very first ever broadcast on radio: a half hour on "My Sister's House."

I sound so YOUNG! LOL

old broadcasts

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I've been digging in my old tapes.

Mercy! I've found all my old broadcasts on KAZUfm! AND KCRWfm AND KUSPfm!

Well, who knew?

I also found a concert in which I sang a song I wrote: the one and only time I ever did so. Afterward, the audience sang "Happy Birthday" to me, as the concert was 2 days before my birthday. That tape's broken. I'm going to BEG for production assistance, to repair it and to record it WELL onto a CD.

I'm listening to my very first ever broadcast on radio: a half hour on "My Sister's House."

I sound so YOUNG! LOL

Editing

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State Fair Script: This URL is only temporary. As soon as the client doesn't need to see it anymore, I'll delete it from my server.

This piece was over 5:30 long. I edited it down to 4:45 or so.

With the changes in narration which I've suggested, assuming the client is willing or able to revoice them, the piece would be 4:30, as required.

Otherwise, I can't change anything else.

I got eye strain, from moving from computer to paper script to MSNTV screen all afternoon, working on it.

But, hey, it's kewl.

My client said not to sweat it, but once I get a job, I like to finish it and have it RIGHT! y'know?

ANYWAY, this piece, and a transcription of another show, are finished!

Now, to start working on a National Native News story....

Tuesday, June 29, 2004

Stretch

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I stopped by the station this morning, between errands.

He's "Stretch," because he's SO tall. When I tried to sit in the newsbooth chair to work in the mornings, my legs would go to sleep, it was so high.

So, I'd lower it.

He'd grumble, "there's been a lowrider in here!"

So, we're Stretch and Lowrider.

I've respected Stretch's work as long as I can remember. He's tight; he's professional. Oh, he flubs now and again, sure; it's live radio. But he blithely laughs it off and gets right back to work.

I can always count on Stretch. He's a merciless editor, which I totally love.

The first piece I ever showed him, he tore to shreds.

I said, "well, thanks for editing my copy"

He said, "well, if you didn't WANT it edited, you shouldn't have given it to ME!"

I said, "No, Stretch, I really MEAN it! THANKS!"

He blinked, startled, and grinned.

Stretch is not a particularly affectionate or demonstrative person. In fact, I think he'd be perfectly happy to just do his job and leave, without human contact from anybody.

At first, he thought I was a flake, I think. One day, I heard him comment about me to someone on his cell phone.

After he hung up, I put my chubby fists on my chubby hips and told him who I am and how I deserve respect. One of my pieces of evidence was the fact I was walking three miles a day, round trip, to get to the station at five thirty in the morning, to work while it was still quiet. I explained I didn't have enough money for a patch kit, to repair my scooter tires.

About an hour later, I saw him digging in his bag. He said, "Rogi, come here."

He pulled out his patch kit and handed it to me, without a word.

As soon as I could, I brought him a new one.

Well, I padded down the hall this morning, looking for Stretch. I had no other business at the station; I just wanted to welcome him back from vacation.

I heard stirrings in the newsbooth and poked my head in the door.

"Hi, Stretch! Welcome back!"

He stood, grinning broadly, walked out into the hallway, stretched out his arms and gave me a hug!

Now, I've had hugs from lots of people. Some people are compulsive huggers. Stretch isn't one of those people.

A broadcast journalism award couldn't have met more to me than that hug, and toothy grin, from Stretch!

I've been smiling all morning!

repost from hood Life

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Turned on the radio, stumbled for the coffee and toilet. Flopped my butt down with a hot cuppa.

Tom Trowbridge fell all over himself, trying to deliver his morning salutations, started over and said, "yes, it's early."

For years now, my radio has greeted me with Tom's and Bob Edward's voices. To me, radio sounds like them.

I suppose I should be more upset that the gatekeepers of my main source for info and culture are white guys. But I'm not. I like both of them.

When I hear Renee and...um, is it Steve?...on Morning Edition, part of my mind patiently waits for Bob Edwards to come back from vacation. Upstarts!

These new hosts are eminently forgettable.

I remind myself of Bob Edwards' fate, to keep me sane, to keep me from getting my hopes up, to keep me wary and conscious of who I'm excited to produce for. They're wealthy, complacent, spoiled, impressed by fads & ratings, self-protective and not-too-bright.

Oh, they sell pretty radio, for sure. And a lot of it is very moving, informative and creative.

But a piece on Asian seahorses is not a piece on the children of crack whores in the War Zone.

Actually, most of their stories about poor folk are of the uplifting sort. They convey a problematic message to their yuppy listeners: see? This person made it out. So, the vast number of the poor are just too lazy and apathetic to do the same!

They really don't know how incredibly difficult it is to buck the odds and scramble up. They REALLY don't know!

So, much of what I have to say probably won't be "up to their standards," when it comes to the economically exploited.

I haven't even begun to research HOW to produce for NPR, let alone begun persuing a story; but I already know this.

When was the last time YOU heard a poor person, broadcasting on NPR?

Thought so.

So, while I'm very flattered someone is even considering that I could produce for NPR--because I appreciate rich sound--I'm very wary. What appendage will I be expected to amputate, so I can fit my round peg in THEIR square hole? y'know?

I should repost this in my radio blog, huh? LOL

Monday, June 28, 2004

Rogi on KUNM

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Rogi Riverstone on KUNMfm

Ok, it still isn't up to my standards, but here's my list of KUNM stories, so far.

Rogi on KUNM

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Rogi Riverstone on KUNMfm

Ok, it still isn't up to my standards, but here's my list of KUNM stories, so far.

Friday, June 25, 2004

Yes, I can still edit!

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My advisor gave me a CD of a mixed down story.

There's a LOT of ambient sound: crowds in a bright building.

I had to cut a minute of the piece.

I'm very proud of my work. I made sure the ambient went seamlessly.

Remember: I couldn't seperate tracks; I had to use it, as is.

There was a particular part, for instance: kid yelling "MOM?" At first, I thought I'd cut it off, and start the part with the subject, talking. But I could still hear the end of, "OM?" and its echoes; didn't sound natural. So I left the little brat in! LOL

There were other bits like that, too.

The bridges are tricky. There's nothing I can do about it, unless the talen wants to rerecord narrative.

But I had to cut a whole segment. If the narrative before the cut doesn't match that after the cut, what do I do?

I cut as carefully as I could.

There is only ONE sentence I'd like the talent to rerecord. But even it, to the casual listener, isn't glaringly obvious.

I've listened and listened and listened to my edit. It sounds totally natural: inhales, crowd mullings....

I called my client and left a message about the edit. Gave him the finished time, etc.

I hope I got the time right. It may actually be about fifteen seconds too SHORT now!

I also previewed the radio show from which I'm to make a transcript for the web site. I think I know what I'll swipe.

Discovered something peculiar: this computer has a "Word" icon, but no "word!" hmmm....

So, I'll have to write the transcript onto a web page on my domain, copy it into my webtv email so I can spell check, and paste it back into a web page to email to my client! bleh.

I can do it. But, if emails get too long, webtv has trouble swallowing them.

But, given what I've seen of other transcripts at the website, the complete transcript shouldn't be TOO long!

IF and I mean "if" I edited his story the way the client wanted, I just made a hundred bucks in just over an hour!

....faint!

Thursday, June 24, 2004

to Marianna's family

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Hi,

I hope enough time has passed now that I might ask you all a favor.

First: I think I have Patty's email address wrong. Would one of you mind forwarding this to her?

I'm working at a public radio station here, in Albuquerque.

I'm working on a piece about Marianna.

I want to know if any of you might help me with it.

I'd like some background, biographical details, for one thing.

If any of you has any interest in recording some oral history I might use, too, please let me know.

There's no hurry; take your time and think about it.

The project is fifty nine minutes long.

Once it's completed, I plan to try to pitch it to National Public Radio, as well.

Thanks,

Rogi
http://rriverstone.com

I'm blown away!

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My advisor just dropped by, so we could get my UNM ISP working.

He dropped off two pieces for me to work on:

1) a 5:30 min. piece he wants me to edit to 4:30

2) a finished production from which he wants me to edit a transcript, for his web site.

It's over a hundred dollars' worth of work.

That's the MiniDisc!

In addition, he's asked me to pick my "best" commentary.

After the 1st week of July, he's hooking me up with two network mentoring programs. One of them is...are you ready for this?...National Public Radio!

I am literally in SHOCK! I had to lie down; I was so light headed, I was afraid I'd faint!

Youth Radio and other ideas

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I got up at 6.

I was just too jazzed from last night's meeting. I wanted to spin my ideas and remember what people said.

I think this notion of Youth Radio may be something in which I can be useful.

My concept would be that kids generate the content. My job would be as a facilitator. They'll need help with editing scripts, for example. They'll need help building on a basic idea to get their "angle," to narrow focus into a containable piece for broadcast. Basically, I could assist as an editor.

But I can also empathise with their direction, perspectives, interests, etc.

They're going to need adult role modelling of a very different nature. They'll need adults who RESPECT them, accept them, take them seriously and have enthusiasm for what they're trying to accomplish. They'll need adults who actually encourage them to think for themselves, question authority, test limits.

My years in the War Zone have taught me this. I had up to twenty kids a day, running in and out of my house. I know what their prejudices are, what their frustrations are, what's dangerous to them....

I like kids, even the big, sweaty, clumsy ones.

Steve has been doing some stuff with Youth In Transition ...YIT.... the only shelter space in town that deals with teen runaways and homeless.

I need to check in with him, hear what he's been doing, where the kids would like to go, etc.

I also need to read the Youth Radio website, to see what they're about. http://www.nfcb.org/projects/communityradioyouth.jsp

Steve's got a meeting with Programming on Monday. He invited me to attend.

I want to go in, ready to offer assistance with content generation.

I also want to work with Radio Theater at KUNM. They have prepared pieces that need editing. That'll get me past my fear of editing. I'm just rusty. I can also work on scrupt writing.

I wonder what work my advisor has for me?

His were the first eyes I saw, as I left the public comment mic, at the meeting last night. I was shaky. I saw his eyes twinkle and crinkle as he nodded and mouthed, "good job." It really helped me get back to my seat without stumbling. I just kept walking toward those eyes.

I felt very supported by radio folk and community activists last night. I got hugs from people I very much respect. Oh, there were a couple who avoided eye contact, who didn't acknowledge I was there. But that's ok; they've got their own issues.

But my conversations with producers, politicians, journalists, activists, etc. were, for the most part, warm and encouraging.

I'm meeting and connecting with some of the smartest, most committed people in Albuquerque. I'm proud to be in their company. It's a real honor.

It's good for me. It keeps me humble. These are people who influence make policies. They like having me around. If I'm careful to check my ego and commit myself to the work, I could really support the healing and growth of the community.

I couldn't stop complimenting Diane Denish for quoting Bill Moyers in her comments last night.

Poor, Mr. Moyers: his show's in danger from current cabal in power. And he's one of the last gasps of progressive journalism in a large market.

So, to hear the Lt. Gov. of New Mexico quote Moyers was balm on a wound!

I told her it was refreshing to hear a politician with passion; one begins to think one's politicians are all crusty, jaded and cynical.

I need to walk gently in the presence of these people. I need to acknowledge their humanity whenever I can.

I also need not be ashamed of my enthusiasm. I simply need to channel it, direct it, make it part of the healing process.

It's ok that I'm loud and colorful. As long as I use that for constructive purposes, for the benefit of the community.

My little hoots and ejaculations encouraged the assembled to get beyond polite applause and really voice their support for people's comments.

It's a Southern thing; it's a Black thing; it's even a Christian thing.

I do NOT come from the churches where people sit passively, sing hymns demurely.

I come from racous, expressive congregations who show the assembled, and their God, their appreciation.

I come from a spirituality that is a group effort. Everybody contributes to the worship, building up the energy, releasing their joy into the gathering.

Witches do it, too.

It's an indigenous form of participation. It hasn't been eviscerated. It doesn't abdicate power to the heirarchy.

In fact, in REAL, southern churches, there really isn't a heirarchy. The preacher, choir director, deacons....all are neighbors: farmers, shop keepers, sheriffs...people one sees every day in a secular context.

When your neighbor, the preacher, stands to deliver the sermon, you support it with your mouth, your body, your hands.

I've been told, in Western European-modeled situations, that I'm loud. Obviously, the critics haven't been to a Baptist church on a hot, July Sunday.

And church is the place town meetings are held. It's the only building in town that's large enough. So, the same methods apply there, too.

And, yes, we talk to the actors in the movie theaters. LOL

It was a lively group. The energy level was high. People were just thrilled to know their fellow citizens had been concerned about the same issues they were.

The listeners, the viewers, got to come out of their isolated homes to meet and hear each other.

The effect was so healing, so magical, so spiritual, so empowering.

A little hooting was required.

Wednesday, June 23, 2004

Public Forum on Media Independence

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KUNMfm

KUNM cosponsors a public forum on media tonight, at Smith-Brasher Hall on the TVI campus.

Please attend, if you can.

If you can't, the entire proceding will be aired on KUNMfm live, beginning at 5:30pm, Mountain Time (I think that's -7:00, GMT). There's a live stream at their website. It is not MSNTV compatible, sorry to say.

It's a chance for New Mexicans to send their messages to the FCC and beyond.

Save our democracy!

Monday, June 21, 2004

Phone line taps

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Here's a run down of devices for recording telephone conversations to a computer.
http://www.jkaudio.com/radio-applications.htm

I'm not endorsing any products, just providing some info.

National Endowment for the Humanities

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Here's a source of grant money for radio projects. They have grant writing guidelines, right on the site.

http://neh.gov/

Sunday, June 20, 2004

Web studio in a bag!

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How to build a studio that will fit in the overhead compartment of an air plane, or under the seat.

Equipment used, trouble shooting, photos.

http://media.skybuilders.com/lydon/studio.20030717140715.html

I am looking for information on "telephone interviews" +"audio editing" at Google.

http://www.google.com/search?hl=en&ie=ISO-8859-1&q=%22telephone+interviews%22+%2B%22audio+editing%22

I'll need to do it as inexpensively as possible, without degrading quality any worse than phones are, already....

Saturday, June 19, 2004

The FCC Song

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I do not post obscenities in this blog, or any blog, for that matter, if I can help it. So, I won't post a direct link to the SONG, but I'm more than willing to post a link to the PAGE the song is on.

This song circulated through a certain radio station I know, on an email list.

I saw two, very professional, undemonstrative reporters, leaning over a computer, giggling like girls, listening to this song. One emailed the link to me.

Now, it's yours.

NOT for children, George W. Bush (who cusses on MIC, at press conferences, to his veep running mate, about reporters, for cryin' out loud!), Jerry Falwell (who hires ladies of the evening) or others prone to violent, physical reactions to slang words for sexual intercourse, and the like.

I'm thinking of having the lyrics tattooed to my posterior, which should be large enough!

http://www.pythonline.com/plugs/idle/index.shtml

Tell your friends.

But you DIDN'T hear it from me, OK?

"A Brief Guide to Microphones"

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I can do this! I was just about BORN knowing mics! Dad was a sound engineer.

If microphones seem a mystery, a few minutes reading this guide may help clear up some misconceptions and assist you in understanding the differences between various microphone types and the advantages of important microphone features.

The fact is, microphones are really rather simple devices. And if you know the meaning of just a few key terms, you are well on your way to becoming a microphone expert. With this basic knowledge under your belt, it will be easier to select the right model for almost any application.

http://www.audiotechnica.com/using/mphones/guide/index.html

"Guide to Digital Editing"

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Requires a computer. Written by the producers of "This American Life." If THEY don't know how to do it, NOBODY does!

By Eric Nuzum

Prologue

These instructions will help you transcend into a digital-editing-radio-producer. Notice I did not say "evolve"--for that would, of course, imply certain bias towards the direction of your transcendence.


In comic book format, no less.

http://www.thislife.org/pages/trax/comic/nuzum.html